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Oclassica is a digital-only record label. We produce curated compilation albums of classical music, connecting artists with audiences and helping people discover and enjoy classical music.

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New artists Oclassica proudly introduces emerging talents to the classical music audience, presenting recordings that showcase our commitment to artistic excellence and perfection.

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Compilation albums

Influenced by data and curated by music editors, we produce compilation albums tailored to the preferences of diverse listeners, serving as a gateway for their exploration into the world of classical music.

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Oclassica featured in The Savvy Musician 2.0 by David Cutler, Oxford University Press

Oclassica featured in The Savvy Musician 2.0 by David Cutler, Oxford University Press

Oclassica is featured in The Savvy Musician 2.0 by David Cutler, published by Oxford University Press. The book's \"Record Label Dilemma\" section presents the label's innovative approach to the classical music industry, with a particular focus on curation and digital distribution strategies.
Katya Kramer-Lapin discusses the impact of her collaboration with Oclassica in interview ahead of the Piano Fete festival

Katya Kramer-Lapin discusses the impact of her collaboration with Oclassica in interview ahead of the Piano Fete festival

Vashon Center for the Arts is renowned for its annual Piano Fete, taking place on July 5-8, 2023 in Kay White Hall. In anticipation of the Piano Fete, The Beachcomber presented a series of interviews with the participating pianists, including Oclassica artist Katya Kramer-Lapin.
Site-Specific Dances performance premiere in New York City presents a stunning vision of the future of collaborative arts

Site-Specific Dances performance premiere in New York City presents a stunning vision of the future of collaborative arts

The inaugural presentation of the Site-Specific Dances company at the Paul Taylor Dance Studios in New York City offered a fresh vision of how technology, coupled with video installations, live music and dance could set the stage for redefining the boundaries between life and the classical arts.
Rachmaninoff, Blood, and Roaring Ovations at Lincoln Center

Rachmaninoff, Blood, and Roaring Ovations at Lincoln Center

Pianist Konstantin Soukhovetski played Rachmaninoff's Concerto No. 4 at Alice Tully Hall, Lincoln Center — a long-awaited premiere in his 25-year career that turned dramatic when he cut his finger mid-performance and continued playing through blood-covered keys.

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