What you will learn

  • Why stereotypes living among musicians do not work anymore
  • How to research and understand your audience
  • From assumptions to clear knowledge: data-driven decisions in music
  • Digital marketing basics
  • How to maintain artist’s image online
  • How to connect with your audience efficiently
  • Examining various case studies

According to the research conducted among conservatory graduates in Germany1, only 23.2% of graduates got permanent jobs, as was expected at the beginning of their professional education. Only 17% of the participants aspired to become freelance musicians, but 58.6% of them were found to work in the freelance field.

Part of the problem is that music studies in general are mainly aimed at developing instrumental skills required for positions in the orchestra, music school, etc. The research suggest a lack of reflection on the audience and the context in which professional musicians are acting. Not all conservatories offer music industry insights, audience research, or digital marketing skills needed to develop a music career in an open market.

Why this course is essential for every classical musician

Musicians finding themselves in a freelance market need to be entirely self-sufficient in terms of managing their enterprise. Important skills are therefore the ability to think critically, to reflect on their professional practice and circumstances, to find an audience through identifying interests and targeting particular groups, and to align with esthetic preferences.

The curriculum of this course is based on a real-world experience of Oclassica staff and musicians of the label. We have learned from the pains and struggles that musicians deal with. In this course we share our multidisciplinary approach to the challenges faced by classical musicians, teaching marketing fundamentals, methodology and essential skills – all geared towards bridging the knowledge gap of conservatory studies and helping you navigate the music industry.

What about this course?

Today we live in a digital world with nearly half of the global population online. And this world is constantly changing. The digital transformation has affected every aspect of human life, and classical music is no exception. The place of classical music in society is changing, and careers in music performance are changing as well. How are music institutions responding to these changes? Can students acquire knowledge that will enable them to find their own way in this constantly changing environment?

We created this course to fulfill this knowledge gap in music studies.

The course explores the world of classical music from the perspective of a digital society and provides essential digital marketing knowledge, expertise and practical skills relevant to today’s world. You will be provided with the industry insights, practical tips and strategies to let you use all the opportunities that exist today and help you take the first steps towards a successful music career as a performing artist, manager of a cultural institution or an orchestra.

The course comes with an exceptional supplementary material – each chapter has an accompanying PDF presentation.

What you are going to learn

The course will show you how multidisciplinary knowledge, digital marketing, and audience engagement skills will impact your career; it will explain why classical music needs new thinking while breaking the stereotypes of the past. All of these drastically change the way you look at career prospects and guide you towards your future.

For whom is this course?

  • Students of all levels, graduates of music colleges and conservatories
  • Parents of young musicians
  • Representatives of cultural institutions working on digital transformation

If you think that classical music is not a hobby but rather a business, this course is definitely for you! This is a crucial course for any classically trained musician who prefers not to follow stereotypical views of professional future, but to choose their own career path. It is designed to give you practical skills that will help you in your professional life as a musician.

1 Esther Bishop & Tröndle Martin: Tertiary musical performance education: An artistic education for life or an out-dated concept of musicianship?

 

Questions? We have answers

Yes, you can learn offline. Once you've downloaded the course files to your device, you can learn without an internet connection. This means you can enjoy your content on the go, during flights, or in areas with limited or no internet access.

Genres

Composers

All composers Claudio Monteverdi Sofia Gubaidulina Efrem Zimbalist Alexi Machavariani Viktor Hodyashev Reinhold Glière Arvo Pärt Pavel Karmanov Nikolai Medtner Luigi Boccherini Vincenzo Bellini Felix Mendelssohn-Bartholdy Alexander Lokshin Francesco Landini Ivan Naborshchikov Ilya Vyazov Luciano Berio Béla Bartók Mily Balakirev Adam Repa Alex Moiseev Alexander Scriabin Alexander Siloti Andrew Lloyd Webber Antônio Carlos Jobim Antonio Vivaldi Astor Piazzolla Brian Field Camille Saint-Saëns Carl Orff Charles Gounod Christina Grigoryants Christoph Willibald Gluck Claude Debussy Dave Brubeck Denis Shapovalov Edvard Grieg Erik Satie Ferruccio Busoni César Franck Franz Liszt Franz Schubert Frédéric Chopin Fritz Kreisler Gabriel Fauré George Gershwin George Shearing Alexander Glazunov Enrique Granados Gustav Mahler George Frideric Handel Hasselmans Joseph Haydn Henry Mancini Husayn Ruhe aka the Puge Jacob Gade James M. David Karl Jenkins Johann Sebastian Bach Johannes Brahms Jules Massenet Friedrich Kalkbrenner Konstantin Soukhovetski György Kurtág Leonardo Le San György Ligeti Louis Spohr Donato Lovreglio Ludwig van Beethoven Anatoly Lyadov Manuel de Falla Matthew Hackett Maurice Ravel Mendelssohn Michel Legrand Mieczysław Weinberg Mikhail Glinka Modest Mussorgsky Mykola Leontovych Myroslav Skoryk Naborshchikov Pablo de Sarasate Philip Glass Polina Nazaykinskaya Sergei Prokofiev Pyotr Ilyich Tchaikovsky Jean-Philippe Rameau Remo Giazotto Rimsky-Korsakov Robert Schumann Joaquín Rodrigo Gioachino Rossini Alexander Rozenblatt Juan Sánchez Sergei Rachmaninoff Sergey Bryukhno Sergey Taneyev Dmitri Shostakovich Jean Sibelius Tamas Szigyarto